Bertsozale Elkartea
Bertsozale Elkartea
euskara castellano français english
Map
Home page Set as my home page Addresses Print this section Suggestions Add to favorites
Bertso
Bertsolaristic movement
Introduction
The airs
Metre
Rhyme
Difficulty of bertso
History
Pre-history
The oldest references
First bertsolari
performance
Protest and innovation
From the bar to the stage
Bertsolaris from the social viewpoint
The reality of modern age
Creating space for
bertsolaritza
Search in this section:
Bertso's melodies
The Association of the friends of Bertsolaritza
Events
Xenpelar Dok. Zentroa
eBooks
Hitzetik Hortzera
Bertso Eskolak
Who's Who
Championships
Pictures
Intercultural
Lanku
Forum
Become member
BertsoZalea
Games
Press Office
Links
Subscription
bertsoplaza.tv

Bertsolaristic movement What is a bertso? Metre

Metre

The Basque bertso is divided into puntuak and each puntua, depending on the metre, has a certain number of syllables. As explained in The art of bertsolaritza: reality of and keys to Basque oral improvisation, “The bertsolari never counts the number of syllables while he or she is improvising. That is, while the air or the rhyme allows for a certain margin of variation, the metre chosen or appointed has no such flexibility. Either the verse is metered well or it is not metered at all”.

Here are some of the most common metres in improvised bertsolarismo:

Other paradigms

The metres mentioned above are the most common in the festivals and non-conducted (imposed) performances. Nevertheless, other paradigms exist such as the koplas, simple rhyming verse and which have had a grand tradition over the centuries when performing in many kinds of ronda (around the streets). Their structures are:

There are also much more recent paradigms, often created by the improvisers themselves, with the objective of successively competing in the various Championships that are regularly held. It is, as it were, looping the loop - the greater the number of puntus, the greater the number of rhymes ... and the greater danger of making a mistake – without the safety net of the traditional paradigms – but also greater the possibility of achieving excellence if successfully performed. The new paradigms respond to a modern tendency whereby the improviser needs sufficient textual space in order to demonstrate his or her originality, the complexity of their arguments, the distance between the performer and the proposed theme for the ad-lib verse singing ... in these times wherein the context is not so agglutinative as in others, it is the text that greatly supports the weight of communicative success. And this explains the tendency for the text to be longer.
Here are some examples:

The metres here use only one family of rhymes, but there are other paradigms which alter this regularity. Here are some examples:

The airs aurreko atala hurrengo atala Rhyme

Bibliography about the subject:

Bertsogintzaren arauak. Xabier Amuriza. Elkar

Further information:
Bertsozale Elkartea. Igeldo Pasealekua, 25. 20008 Donostia
T. (00) (34) 943 21 77 98 / F. (00) (34) 943 21 24 27 / bertsozale@bertsozale.com